No, not at all. Many clients book based on availability first and decide later. You can email me once you’ve chosen, or we can even decide together in the studio on the day.

The only exception is custom designs. If you’d like something drawn specifically for you, I’ll need at least one week’s notice before your appointment.

Yes. I take on a limited number of custom tattoos and approach them with the same care and thought as my flash work.

If you’d like a custom piece, I’ll need at least a week’s notice before the appointment so I can draw it properly. Custom designs may cost a little more to account for drawing time.

Yes, I do, and I really enjoy them.

After booking, I’ll ask for a photo of your existing tattoo and send a few draft cover-up ideas. We’ll refine your chosen design route together on the day so it works cleanly with what’s already there.

Just click the Book Tattoo button at the top of the page. It’ll take you to a page showing all my available dates and times for you to choose from.

A £55 deposit is taken at the time of booking to secure your appointment, and this is deducted from the final price of your tattoo.

After booking, you’ll receive a confirmation email with your appointment details. A couple of days before your session, I’ll send a follow-up email with everything you need to prepare.

Absolutely, I love taking existing designs and working with clients to add a new twist. A lot of this can be done in person during the session itself, which is often the most efficient approach.

If you’re planning a larger change, please give me at least a week’s notice so I have time to redraw.

I’m very conscious of how tattoos age, which informs my approach to drawing, line weight, spacing, scale, and placement. I care as much about how a tattoo will look in years to come as I do when it’s fresh, and I’ll always be honest if something is unlikely to hold up long term, offering alternative approaches where needed.

As much time as we need.

I allow plenty of time in each session for sizing and placement, and I’m very particular about getting it right. Small adjustments can make a big difference, so we’ll take the time we need and re-place the stencil until it feels right to both of us.

I use the best inks I can, and safety is something I take very seriously. I work with modern tattoo inks from reputable brands and trusted suppliers, and source as much of my ink catalogue as possible from EU REACH-compliant inks.

REACH is a strict EU safety standard that regulates which pigments are permitted in tattoo inks. While it doesn’t formally apply in the UK, I choose to follow it wherever possible as the highest current benchmark for ink safety.

Occasionally, certain colours aren’t available with the same vibrancy under REACH compliance. In those cases, I use well-tested, UK-compliant inks from trusted manufacturers, selected for their saturation and long-term stability. I’m always happy to talk openly about the inks I use and why.

Absolutely. Many of my clients are first-timers.

I work calmly and at a steady pace, and I’m always happy to explain things, answer questions, or pause if needed. There’s no pressure, the priority is that you feel comfortable throughout.

Yes. For custom tattoos, I’ll usually email your design the day before your appointment. I find this timing keeps the design fresh and considered, while still giving you time to review it and share any feedback.

I don’t typically send designs earlier than this, but if you’re feeling nervous or would like to talk through specific details, just let me know and I’m always happy to accommodate where possible. For flash designs, there’s no need to send anything in advance.

I price tattoos individually rather than to a fixed hourly rate.

If you’d like a quote, just send over a short description of the idea, placement, and approximate size and I’ll give you a rough estimate before booking. My minimum charge is £130, and I offer reduced rates for clients booking multiple tattoos or for designs I’m especially keen to make.

A little, but usually much less than people expect.

I’m often told I have a light hand, and I work with a delicate, high-quality machine on low settings, using a technique that prioritises minimal trauma to the skin. Most people find the sensation settles after the first few minutes as the body relaxes.

That said, it is a tattoo, and certain placements or styles can be more sensitive. In those cases, there’s always space to pause, take breaks, and work at a pace that feels manageable.

That’s absolutely fine, I understand that plans sometimes change. If you need to reschedule, just let me know as soon as you can so the slot can be offered to someone else.

Full details are outlined in the booking terms, but in short I ask for around 10 days’ notice. More than anything, clear communication is what matters.

Session lengths vary depending on the tattoo. When booking, you’ll see a few tattoo size options, each with its own session length. These are good guides, but tattoos don’t always run exactly to plan.

Some sessions finish earlier, others can overrun slightly. My focus is always on doing the tattoo as well as possible rather than watching the clock, so it’s worth leaving a little flexibility in your day.

As a rough reference, a medium-sized tattoo session usually takes around two hours all-in, including setup, placement, and tattooing.